Credits: Lumiere Studios, London

RealFlow for Freelancers or Small Studios

Our aim is to make RealFlow as accessible as possible. This is why we now offer RealFlow Node-locked which is available for only $2500/€2000.

If you want more flexibility and the ability to use RealFlow simulation nodes, RealFlow Floating is the option for you ($3995/€2995 - FREE Node included)

Credits: Fusion CI Studios, LA

RealFlow for Medium Studios

The RealFlow Studio Pack is a bundle of GUI and Node licenses with a 20% discount

2 x RealFlow
10 x RealFlow Nodes
Price: $9995/€7450

Credits: Blur Studio

RealFlow for Large Studios

For large studios we offer bespoke flexible packages to ensure RealFlow fits into your current pipeline as seamlessly as possible.

If you are interested in Site, or Global Site licensing, please contact us.

What do you need RealFlow for?

Freelancers or Small Studios
Medium Sized Studios
Large Studios



Andronikos Bisogiannis from Ixor, talks about how RealFlow was used in the Tsai commercial.

About the company

Ixor founded in 2005 in Athens, Greece and offers a complete range of CG services, ranging from characters, to complex fluid / liquid simulations and seamless visual effects images. They also have a small studio in Florida.


The solution

Andronikos Bisogiannis: “We used RealFlow for all the shots involving the balloon explosions as well as the creation of the Stream and bottle appearance effect for the product shot.”

“Past experience and the predictable results are very important when choosing a fluid / liquid simulation software. RealFlow combines both, and with customizable plugins and scripts, it can be a very powerful solution for VFX shots.”

“The 1st week was R&D week with custom scripts an many slow-motion tests for the explosions and the majority of liquid simulations were completed the following week. We used a custom Network meshing plugin that we have developed previously and that helped us to deliver on time.”



The problem

Realistic ‘exploding balloons’ of colour, the majority of which was created in one week.

“Creating realistic balloon explosions in slow motion was a challenging task, but the most challenging one was the "Stream" effect that required custom scripting and many variations for our client to choose from. We had around 2 weeks for the entire commercial. From match-moving to compositing. It was a very tight schedule!”





The result

Andronikos Bisogiannis (FX Supervisor)
Nikos Lazaridis (FX Artist)
Vassilis Antipas (FX Artist)
Stefanie Blatt (FX Artist)
Antonis Fylladitis (General Artist)
Stavros Karagiannis (General Artist)
Iosif Kefalas (On-Set Supervising & Matchmove Artist)
Ole Lemming (Plugin Support)
Philips Marmoutas (Proj. Supervisor / Compositor Postfaust)